Anna May Wong

Anna May Wong, born Wong Liu Tsong on January 3, 1905, in Los Angeles, California, and passing away on February 3, 1961, was a pioneering American actress whose extensive career encompassed silent and sound films, television, stage performances, and radio. Recognized as the first Chinese-American film star and the first Asian-American to achieve international fame, Wong was also celebrated as a fashion icon, embracing the flapper style that defined the era.

Growing up in a family of second-generation Chinese-Americans near Los Angeles' Chinatown, Wong developed a passion for acting early on, ultimately leaving her education behind to pursue her dreams in the film industry. After initially appearing as uncredited extras in silent films, she secured her first lead role in The Toll of the Sea (1922), notable for being one of the earliest color films. Her performance in The Thief of Bagdad (1924) catapulted her to international recognition. Frustrated with the limited and often stereotypical roles available to her in Hollywood, she relocated to Europe in the late 1920s, where she performed in various plays, including works alongside renowned actors like Laurence Olivier. Her acclaimed silent film Piccadilly (1929) showcased her talents and garnered critical acclaim.

Wong's first sound film, The Flame of Love (1930), was recorded in multiple languages. Throughout the 1930s, she balanced her career between the U.S. and Europe, starring in early sound films like Daughter of the Dragon (1931) and Shanghai Express (1932), which further solidified her growing fame. Despite her advocacy for Chinese-American representation and her critiques of the industry, she faced scrutiny from the Chinese press. After a significant disappointment with the casting choices for The Good Earth (1937), she took a year-long journey to China, immersing herself in her heritage and culture before returning to Hollywood to take on roles in B movies that portrayed Chinese-Americans positively.

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